My position of digital format releases is a complex one. I really don’t like buying them, but sometimes there is utility for me in them. Occasionally it becomes necessary to just bite the bullet and click ‘add to basket’. This is a point in case. Glazby’s 2008 remix of I’m Your Nightmare came out on wav and mp3. It didn’t come out on vinyl, or as far as I’m aware CD. If you want it, you’ve got to go digital - such is the future of DJing.
Having been on repeated play for a good thirty five minutes, this really is Glazby at his best: loud, uncompromising, dirty, dark and with one of the best production sounds around. This even sounds fantastic as a 32 kbit 22khz mono mp3! As with any other Glazby track, this is best played ear damagingly loud in a dark sweaty club left to your own devices to go as crazy as you possibly can.
Paul Glazby - I'm Your Nightmare (Glazby's 2008 Off Beat Mega Death Remix) [Tidy : TIDYML05] (2008)
Collecting records from the safety and comfort of you home is fun. You can have even more fun by leaving the confines of your house and heading to club to go and hear what other people are playing. Seeing a DJ perform live is important - not only do you get to hear records you’ve never heard before, but you get to have a bop under a nice big sound system too. Another important thing is to make sure you don’t post things on a blog two months after they happen. Oh well, never mind - like Meatloaf used to say, two outta three ain’t bad. Late last year, after much anticipation a trip to the very luxurious Matter at the O2 was in order to check out contemporary house hero, Rex The Dog.
Anticipation is not always a good thing. When you’ve wanted to see someone perform for so long and are such a big fan of his productions, there is the very real danger that expectation will sadly outweigh reality. Thankfully, that was not even near the case. Rex The Dog was simply fantastic, and certainly worth the wait. Opening up with his remix of The Knife - Heartbeats, the short hour and a half to which the second room of Matter stood witness to this impressive event was crammed full of energy.
Rex was awesome and so are his records. Sadly, the only ever time I’ve heard one of his productions played live on a large sound system is when I’ve played it myself. When you’re DJing no matter how much you get into the set there is always a stage of removal between yourself and the party. Hearing for the first time two of my favourite Rex productions, Frequency and Prototype, live, on a large system, dropped by the man himself was worth the ticket price alone.
Rex the Dog is playing much closer to home at the O2 Academy Oxford on the 27th of Feb. Apparently Hot Chip are playing too - but we all know who is more important. Until then, enjoy these photos, and listen to frequency on youtube.
Welcome to my blog; a exploration of thought about the process of collecting records and playing them to other people.
I've been DJing for almost ten years now. In that time I've amassed lots of records. I think they are all very good. I used to pretend to be a masters student, then I though I could be an officer in Her Majesty's Army. Now I'm not sure of much any more.
If you're curious about what Die Mensch-Machine is all about, why not start with the first post?